Communications and Art History student at UPenn, Class of 2016.
Writer for Bite Magazine, Senior Men's Fashion Editor at The WALK
A collection of interesting images, writings, and other media on fashion and culture.
Writer for Bite Magazine, Senior Men's Fashion Editor at The WALK
A collection of interesting images, writings, and other media on fashion and culture.
Before I board…
Gasping at Dior in Monte Carlo.
So wonderful. Such alacrity: he really sees, specifically, the vision he wants from the clothes. We, in turn, profit. We have the potential to see what he sees.
*yes*
For my birthday
I’d like a wardrobe of Raf Simons, Céline, Nike, Jil Sander, A. Wang, and Hood by Air. With some J.W. Anderson, too.
Make it happen.
"Sex scenes have become dull and unimaginative since the ’70s, when showing flesh in mainstream movies still carried a frisson of transgression….The real objects of lust in contemporary cinema are not bodies but, well, objects — in particular the luxury brands that form the lingua franca of popular culture from hip-hop to reality television to the pages of Vogue."
— A. O. Scott, “Gatsby, and Other Luxury Consumers” NYTimes, May 16, 2013
(via ottyvonbismarck)








